Closet Confessions: Style, Guilt, and Connection
Sometimes, I feel like my closet is a visual representation of everything I’m trying to reconcile. It’s a space full of pieces I love – a faded band tee from...
Sometimes, I feel like my closet is a visual representation of everything I’m trying to reconcile. It’s a space full of pieces I love – a faded band tee from a show I went to with my mom, a thrifted corduroy jacket that smells faintly of cedar – but also a quiet hum of guilt. Because loving clothes, loving putting outfits together, *feeling* good in what I wear... that shouldn't have to come with a side of knowing it’s contributing to something bigger than I want it to be.
I remember National at the Newport Music Hall. My dad drove me, mostly to get me out of the house, I think. He didn't really *get* the music, but he drove. Afterward, the feeling of being carried along by the crowd, by the sound... it stayed with me. It felt like this expansive, shared experience, and I wanted to be part of something like that again. The blog started shortly after that, a way to try and create a small corner of that connection, a place to share about the music I loved. The music was the entry point, but I found myself drawn to what everyone was wearing, too.
The thing is, fashion, for me, isn’t about buying new things. It's about the *idea* of them. It’s about the possibility of an outfit, the little spark of confidence a well-chosen piece can give you. It's about curating a feeling, an identity, and translating it into something visible. But that feeling is increasingly muddied by the knowledge of the waste, the labor practices, the sheer volume of stuff that’s churned out constantly.
My mom always encouraged my creative hobbies. Not because she necessarily understood them, but because she believed in the value of doing. She'd buy me fabric, even though I mostly just hoarded it. She'd listen patiently as I rambled on about color palettes and silhouettes. That support, that simple belief, has meant so much. I feel a similar kind of responsibility now, a desire to explore fashion in a way that's less about acquisition and more about creation, about making do.
One thing I’ve been trying is treating my closet like a challenge. Instead of looking at it as a collection of items to be used or discarded, I try to see it as a puzzle. What can I combine in ways I haven’t before? What if I dyed that old t-shirt a different color? Could I cut up a dress and turn it into a top? The last one didn’t exactly work out—it ended up a tangled mess of fabric—but the attempt was fun. And it forced me to really *look* at what I owned.
It’s also about appreciating what you already have. That corduroy jacket I mentioned? It’s gotten softer over time, the color subtly faded. It’s not pristine, but it’s *mine*. It holds memories of rainy autumn days and wandering through used bookstores. That kind of history and personal connection is something a brand new item can’t replicate. It’s a quiet kind of richness that builds over time.
Phoebe Bridgers’ tour was a turning point. Not because of the music itself – though it was incredible – but because of the people who found my blog post about it. Two hundred people. From Tumblr. Strangers who resonated with something I'd written, who felt the same connection to the music and the atmosphere. It was the first time I realized that this little space I'd created could reach beyond my immediate world. And it made me want to use it to explore ideas, even if those ideas felt complicated or imperfect.
It’s not about becoming perfect, about eliminating all guilt. It's about finding a balance, about honoring the joy of fashion while acknowledging its complexities. It’s about making conscious choices, even small ones, and remembering that the best outfits are the ones that make you feel good, inside and out. Maybe that’s a small thing, but maybe it’s a start.