The Curated Self and Letting Go

It’s strange, isn't it, how easily we build these… other selves. Not entirely false, I don't think, but polished. Edited. Carefully arranged for maximum appe...

A woman with an afro sits in an armchair reading a book near a window and bookshelves.
A woman with an afro sits in an armchair reading a book near a window and bookshelves.

It’s strange, isn't it, how easily we build these… other selves. Not entirely false, I don't think, but polished. Edited. Carefully arranged for maximum appeal. I've been thinking about it a lot lately, specifically after Jacobs Pavilion. That night, something shifted. Not a massive, earth-shattering change, but a subtle realignment in how I saw myself, and maybe how I wanted to be seen.

For years, I’ve drifted through social media, a casual observer. A liking here, a comment there. But there's always been this undercurrent, this feeling that what I was showing wasn’t *me*. It was a version of me, the one I thought would be liked, the one who seemed effortlessly… something. I’m not sure what that “something” was supposed to be. Popular? Interesting? Approachable? It felt less like a conscious decision and more like a quiet, persistent pressure.

I remember one time in high school, meticulously planning an Instagram post around a new scarf I’d bought. Hours spent finding the perfect lighting, the right angle, the caption that wouldn't be too boastful but still conveyed that I had good taste. It's ridiculous when I think about it now. A scarf. I expended that much energy on a scarf. I was so focused on the external validation, the potential for likes and positive comments, that I completely missed the point of actually enjoying the scarf.

The thing is, the desire to be seen isn’t inherently bad. It’s a basic human need. But when that desire becomes the driving force, when your self-worth is tied to the fleeting approval of strangers, it becomes… exhausting. And ultimately, unsatisfying. That blog I started sophomore year – it’s a graveyard of these attempts. Sporadic posts, riddled with insecurity, trying to capture something elusive that always felt just out of reach.

I wrote something last week, after Jacobs Pavilion. It was… different. I didn't consciously try to make it "good." I just wrote what I felt. Raw, messy, a little vulnerable. Twenty-seven people read it. Twenty-seven. It would have been enough to shut me down completely a few years ago. I would have seen that number and thought, “See? Nobody cares.” But this time, I just felt… relieved. Relieved that I hadn't spent hours curating a perfect image. Relieved that I’d just put something out there and let it be.

It’s not about disappearing from the internet entirely. It’s about being mindful of what we're presenting and why. It’s about recognizing the gap between who we are online and who we are in reality, and actively working to close that gap. It’s about choosing authenticity over performance, even when it’s uncomfortable. Even when it means fewer likes.

There’s a certain freedom in accepting that you’re not going to please everyone. That not every picture needs to be perfectly filtered and every caption needs to be witty. That it’s okay to just… be. To be flawed, to be awkward, to be genuinely yourself, even if it’s not the most “Instagrammable” version of yourself.

Maybe that’s the key – finding a way to consume these platforms with a critical eye. Recognizing the constructed nature of what we see and resisting the urge to compare our behind-the-scenes to everyone else’s highlight reel. Because the truth is, behind every carefully curated profile, there's a real person, struggling with the same insecurities and anxieties as the rest of us. And sometimes, the most authentic thing we can do is just acknowledge that.